杨恩寿的戏曲批评体现了传统曲学特征,又有新的特点。创作观上,重视戏曲题材的历史厚重性和情节结构的合理性;戏曲文辞方面,重视曲文的词采与文笔、重视剧作的性灵与气韵、重视词采对戏曲形象的塑造;戏曲声律方面,注意到声韵性质与脚色声口的关系、出字语气与舞台表现的关系等。 Yang En-shou’s drama criticism embodies the characteristics of traditional music study, as well as new characteristics. In terms of creation, attention is paid to the historical thickness of the theme of the opera and the rationality of the plot structure. In terms of opera diction, attention is paid to the expression and writing of the rhyme in the rhyme, emphasis on the spirituality and rhyme of the play, importance to the shaping of the image of the opera, In terms of law, we noticed the relationship between the phonological characteristics and the color tone of the feet, the relationship between the tone and the stage performance.