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针对印象主义绘画的困境,塞尚选择了用古典主义来改造印象派这一两难的课题:印象与古典、感觉与理性的融合。最终塞尚以其三圆理论和新形式感的画面试验,实现了古典的坚实与印象的光色之统一。本文便是围绕着塞尚的出发点及其艺术理念,来观照塞尚的解题思路。
In response to the predicament of impressionist painting, Cezanne chose to use the classicism to transform the dilemma of Impressionism: the fusion of impression and classics, feeling and reason. Cezanne finally with its three rounds of theory and a new sense of form of screen test, to achieve the unity of light and color of the classical solid and impression. This article is centered around Cezanne’s starting point and its artistic philosophy, to follow Cezanne’s problem solving ideas.