评判一个当下正在发生的事件,是一桩十分棘手的事。于书法更是如此。如果将上个世纪七十年代末八十年代初中国书法复兴的起点作为当代书法的开端,那么这段“当代史”已有三十余年的时间。这三十余年间,中国书坛经历了种种艺术的或学术的风潮,也经过了艺术商品化的洗礼,今天的一切都比二三十年前显得成熟和理性—无论在观念上还是在实践上,都是如此。这一点, Judging an ongoing incident is a very tricky one. This is especially true for calligraphy. If the starting point of Chinese calligraphy renaissance in the late 1970s and early 1980s is the beginning of contemporary calligraphy, this period of Contemporary History has been in existence for more than thirty years. In the past thirty years, the Chinese calligraphy book has undergone various artistic or academic trends. It has also been baptisized by the commodification of commerce. Everything today is more mature and rational than that of two or three decades ago - both in concept and in In practice, this is true. at this point,