抽象艺术是现代主义流派中最重要的流派之一,中国当代抽象艺术,萌芽于上世纪三十年代的上海,到五十年代,由于中国文艺方针的改变,抽象艺术一度被视为不能被大众接受的颓废艺术,直到改革开放以后,上海又渐渐成为中国抽象艺术的重镇,但在整个官方艺术大展中,抽象艺术仍然只占很少的比例,在艺术市场中也是少有问津。但是,这一切都无损抽象艺术的学术价值,反而显现出一种特立独行的自由品格。面对这门经历长久压抑又充满前景的艺术,我们看到,通过近年来一系列展览、出版、研讨活动,它正显示出蓬勃的生命力。牛年伊始,上海采风杂志社假座角度抽象画院,邀请了部分专家,来谈一谈抽象艺术在当代的状况和现实意义。 Abstract art is one of the most important genres in the modernist genre. As China’s contemporary abstract art sprouted in Shanghai in the 1930s, by the 1950s, abstract art was once deemed to be unobtainable by the general public due to changes in the Chinese literary policy Accepted decadent art, Shanghai was gradually becoming the center of Chinese abstract art after the reform and opening up. However, the abstract art still occupies a small proportion of the entire official art exhibition, and is rarely paid attention to in the art market. However, all this does not detract from the academic value of abstract art, but instead displays a maverick free style. Facing this long-suppressed and promising art, we have seen that it has shown its vitality through a series of exhibitions, publications and seminars in recent years. At the beginning of the Year of the Ox, the Abstract Art Institute of Shanghai Gesture Magazine, a fake seat angle, invited some experts to talk about the current status and practical significance of abstract art in contemporary China.