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《长生殿》中金钗钿盒、《霓裳羽衣曲》、牛郎织女是穿插在剧本中不可或缺的三种不同质的意象。这三种不同质的意象分别隐喻不同的话语立场,有着不同的叙事功能和审美指向,也承载了不同的情感色彩。在戏曲的结构意义上,它们起到了贯穿场面、联络主角、推动情节的作用,增加了剧本的结构穿插之美。在意境上,通过这三种意象或平行或交叉的时隐时现的叙述,共同形成了《长生殿》广阔深远的诗意境界。在题旨上,这三种意象体现了洪对人生、历史和社会的终极思考。
“The Palace of Eternal Love” in the coffin box, “Seduction clothes”, the Cowherd and Weaver girls are interspersed in the script indispensable three different qualities of the image. The three different qualities of metaphor respectively metaphor different discourse positions, has a different narrative function and aesthetic point of view, but also carries a different emotional color. In the structural sense of the opera, they play the role of penetrating the scenes, contacting the protagonists and promoting the plot, increasing the interspersed beauty of the script. In the artistic conception, through these three kinds of images or the parallel or overlapping epoch-making narratives, they jointly form the vast and far-reaching poetic realm of the “Palace of Eternal Youth.” On the theme, these three images embody Hong’s ultimate thinking on life, history and society.