本文从空间审美和时间审美两个方面来解读设计师自己的家:首先,家在空间上被定位为一个物理容器,为了充分利用小户型有限的空间,提出用抽象的立方体来收纳静态的物件、设置可变化的家具来与适应动态的行为,并形成极简、高效的空间审美;其次,家在时间上被提炼成一个情感载体,运用竹等自然材料来追思幼年的回忆、模拟水的流动来表达对自然界力与场的崇拜,并用光和影来描摹禅意、本真的时间审美。空间审美的极简和时间审美的禅意在设计中碰撞、交织在一起,绘出一幅有关时、空,有关的美丽画卷。 This article interprets the designer’s own home from two aspects: the aesthetic of space and the aesthetic of time: firstly, the home is positioned as a physical container spatially, and in order to make full use of the limited space of small size, it is proposed to use abstract cubes to store static objects , Set up a variety of furniture to adapt to dynamic behavior and form a minimalist and efficient aesthetic space; secondly, the family was refined into an emotional carrier of time, the use of natural materials such as bamboo to memorize childhood memories, simulate water Flow to express the worship of the forces and the field of nature, and use light and shadow to describe Zen, authentic time aesthetic. Space minimalist aesthetic and time aesthetic Zen collision in the design, intertwined, draw a picture of time, space, the beautiful picture.