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辽·金唐、宋期间兴亡的诸王朝,虽然或是受唐文化的残余影响,或是带有新文化的萌芽,但都各自结束了其短暂的生命。在诗画方面,很快就被宋代的风格所取代,相反,在工艺方面却坚定不移地保持着唐代的制作遗风。如果从残留于南唐的陵墓中的唐草纹样来看,建筑等也仍有着较强的保守倾向,关于陶瓷的纹样,象在吴越的青瓷上表现的那样,唐草和龙凤等原封不动地继承了唐镜和银器的意匠。但是,这些制作者对于唐代的
The dynasties that rose and fell during the Jin dynasty and the Song dynasty ended their short lives though they were either influenced by the remnants of Tang culture or sprouted with new culture. In the aspect of poetry and painting, it was soon replaced by the style of the Song Dynasty. On the contrary, it kept unswervingly the legacy of the Tang Dynasty in terms of craftsmanship. If we look at the patterns of the Tang dynasty that remains in the tombs of the Nantang area, there is still a strong tendency towards conservatism in architecture. As for the pattern of ceramics, Tang celadon, dragon and phoenix, etc. are inherited as they are on the celadon of Wu Yue Tang mirror and silverware’s artisan. However, these producers for the Tang Dynasty