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中国百年的现代化历程中,一代又一代的农民走向了城市,这是中国社会转型中的一个重大社会现实问题。文学不能忽视这一群体的生存状态、精神状态。本文参照中国20世纪以来的文学作品中对进城农民的描述,并以《山雨》和《高兴》这两部作品为例,20世纪王统照的“奚大有”作为农民进城的典型在先,当下贾平凹的“高兴”在后,探究在不同时代背景下,对进城农民群体的描述所呈现出的不同特质。同时通过对两部作品主人公相同的悲剧历程的反思,反观当下社会中城乡文化隔膜,引起人们对这一弱势群体的关注。
In the centennial course of modernization in China, generation after generation of peasants have gone to cities, a major social reality in China’s social transformation. Literature can not ignore the existence and mental state of this group. This paper refers to the descriptions of the peasants entering the cities in the literary works since the 20th century in China. Taking the works “Shan Yu” and “Happy” as an example, the “Xi Da You” by Wang Tongzhao in the 20th century enters the city as a peasant The typical first, the current Jia Pingwa “happy ” later, to explore different characteristics of the description of the peasant groups in the city under different times. At the same time, through the reflection of the same tragedy process of the protagonists of the two works, the urban and rural culture in the current society is reminded that people are concerned about this vulnerable group.