流行乐坛,快乐、痛苦或兼而有之的1996年过去了,迎来的是有着某种冲动的1997年。 在某种意义上,1997年将是乐坛的一个惊叹号。香港的回归,将使香港多年来趋于成熟的唱片业操作方式,对正在“摸着石头过河”的中国流行乐坛提出更为严峻的挑战。不敢说香港唱片业已经拥有合理的操作方式,但至少现在我们还没有找到,所以在此之际我们不妨看看来时的路。 1996年乐坛,或多或少推出一些专辑,走红了几位新人,但 In 1996, pop music, happiness, anguish or both passed, with some impulse in 1997. In a sense, 1997 will be an exclamation point for the music scene. The return of Hong Kong will put Hong Kong’s maturing record industry operation over the years and pose even more serious challenges to the pop music scene in China that is “feeling the stones across the river.” I dare not say that the Hong Kong record industry already has a reasonable mode of operation, but at least we have not found it yet, so let’s take a look at the road here. In 1996 the music scene, more or less introduced some albums, became popular several newcomers, but