作为贺岁档的首枚炮弹,由香港银都机构制作的《桃花运》自问世以来,票房飘红,国内几大院线纷纷加洗拷贝,增加放映场数。票房火爆的同时,关于影片停拍两年后继而复拍的话题以及对影片的质疑随之而来。而处于风口浪尖的则是导演马俪文。作为内地电影圈的女性导演,马俪文出道至今共执导四部电影,分别是《世界上最疼我的那个人去了》、《我们俩》、《我叫刘跃进》以及《桃花运》。在影片宣传的间歇,马俪文接受了本刊记者的专访,娓娓道来她和《桃花运》的前世今生,其中有无奈,有坚持,更有感激…… As the first round of Lunar New Year stalls, the “Peach Blossoms” produced by Hong Kong’s Silver Capital Agency have been rosy at the box office. Several large-scale domestic cinemas have added washing and copying to increase the number of screening shows. At the same time when the box office was hot, the topic of filming and subsequent filming two years later and the questioning of the film came along. The cusp is the director Ma Li-wen. As a female film director in the Mainland, Ma Liwen has led four films since her debut. They are “The Person Who Pains My World in the World,” “The Two of Us,” “My Name Is Liu Yuejin,” and “The Peach Blossoms.” Intermittent in the film publicity, Ma Liwen interview with our correspondents, his right and her “Peach Blossom” past life, which helpless, insisted, more grateful ......