在传世的邓氏书法作品中,以书画题跋为最多,少则一行,一般为四行、六行,多者八行。至于他传世最用心力的作品,则要数现存北平绘画馆的《临急就章卷》,和日本山本悌二郎旧藏的《清居院记》。但从书法上看,最为笔者欣赏的还是这故宫博物院的《致景良郎中尺牍》。这一尺牍,前后也只有十三行,以行书为主,偶杂草书。他用一枝比较新的笔,毫毛不硬不软,使转 In the handed down of Deng’s calligraphy works, calligraphy and painting inscription for the most, from a line, generally four lines, six lines, more than eight lines. As for the most hardworking works handed down in his life, he has to keep the “Emergency Catalog” of the Peiping Museum of Painting and the “Qing Ji Yuan Ji” which was originally kept by Japanese Yamamoto Miyaburo. However, from the point of view of calligraphy, most of the authors appreciate or appreciate the Palace Museum’s “To Jingliang Lang Zhongzhi 牍.” This ruler, before and after only thirteen lines, mainly to practice books, even cursive. He used a relatively new pen, hairless and not soft, so turn