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英国学院派作家马尔科姆·布雷德伯里的《克里米纳博士》不仅影射了保罗.德曼二战期间为德国纳粹撰文的事件,而且把20世纪60年代末至80年代流行的“作者之死”当作了一个中心话题,用隐喻的方式对这一批评事件进行了小说化的处理。在这部小说中,“作者”成了一个集在场和不在场于一身的人物,“读者”则通过自己的阅读建构了以自己为中心的话语,构成了对作者和文本的背叛。该小说由此体现了当代学院派小说的一大特色,即以讲故事的方式阐述批评理论。
British academic writer Malcolm Bradbury’s “Dr Krimina” not only mirrors Paul Deman’s writings for German Nazis during World War II, but also the popular “ The death of the author ”as a central topic, using metaphor to fictionalize this critical incident. In this novel, “author ” has become a collection of people present and absent, “reader ” through their own reading to construct their own as the center of the discourse, the composition of the author and the text betray. The novel thus reflects a major feature of contemporary academic fiction, that is, to explain the theory of criticism by way of storytelling.