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李俊的最新系列《物影》是《无常时》的延续,但在《无常时》系列中能够辨识的物体在《物影》系列中完全变成一个谜。内部逻辑依然是物体存在的痕迹,原因是时间,结果是空间。“存在与消逝”是一个沉重的主题,但《无常时》的画面表达却是轻松的。柔和的色调,绘画性的构图,日常的生活环境,李俊笑称这是一种小清新的呈现方式,也是对灰尘最合适的呈现方式。《物影》延续了这个主题,却颠覆了轻松的画面表达。色调简化至黑白灰,构图只留下支撑和背景两个垂直平
Li Jun’s latest series, “Imagery”, is a continuation of “impermanence,” but recognizable objects in the “impermanence” series completely become a mystery in the “Imagery” series. Internal logic is still the trace of the existence of objects, the reason is time, the result is space. “Existence and disappearance ” is a heavy subject, but the expression of “impermanence” is relaxed. Soft colors, paintings of composition, daily living environment, Li Jun jokes that this is a small fresh presentation, but also the most appropriate way to present dust. “Image” continues this theme, but subverts the easy expression of the screen. Hue simplified to black and white gray, leaving only the support and composition of the two vertical flat background