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民国紫砂盆鉴赏系列文章已经撰写了十一篇,这个系列前后介绍了民国刻绘花盆中的一些名家和他们的作品。此系列文章到此告一段落,未来还将介绍明清花盆,以及介绍近代一些花盆。由于有些紫砂原料到民国已经枯竭,一些好的成型工艺没有得到传承,使得民国盆和明清花盆相比整体质量差距很大,这是这个系列只介绍刻绘盆的主要原因。本系列文章不排斥民国期间也有不少泥料和做工精良值得收藏的素花盆。
Eleven articles have been written in a series of articles on the appreciation of the gypsum basin in the Republic of China. Before and after this series, some famous artists and their works were painted in the Republic of China. This series of articles come to an end, the future will introduce the Ming and Qing flower pots, as well as introduce some modern pots. As some of the Zisha raw materials to the Republic of China has been depleted, some good molding process has not been passed on, making the Republic of China and the Ming and Qing flower pot compared to the overall quality of a great gap, this series is only introduced the main reason engraved basin. This series of articles does not exclude the Republic of China during which there are also a lot of mud and well-preserved vegetarian pots.