郑路的作品从造型美学上而言,是对于这种传统雕塑体块量感的消解。他的这一动机来自于他早期对于中国传统书法条屏的材料性转换。金属板材经过字形镂空处理之后,材料的自然属性所带给我们的心理感受改变了,沉重的钢板变得轻盈剔透起来。此后,进一步的发展便是,他再将这种被消解了的“负形”构成了另一种“实体”。那么,这种“实体”带给我们 The works of Zheng Lu, from the modeling aesthetics, are the digestion of the sense of mass of this traditional sculpture. His motivation stems from his early materialization of the Chinese traditional calligraphy screen. After the shape of the metal plate through the hollow, the natural properties of the material brought us the psychological changes have changed, the heavy steel plate becomes light and transparent. Since then, further development has led him to construct another “entity” of this digested “negative”. Well, this “entity” brings us