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秉持着继承中国传统文化与古典精神的中国古典舞在审美理想上也是一脉相承追求“形神兼备,乃至神超形越”的美学观。自中国古典舞创建以来,从“身法”至“身段”再到“身韵”这一过程的演变就是中国古典舞创建者们与继承者们对这种审美理想不断追求的见证。本文通过分析当前中国古典舞身韵课程中“意与形”的问题,提出“以意领形”的教学理念对实现中国古典舞“形神兼备”之审美理的现实与指导意义。
Upholding the inheritance of Chinese traditional culture and the spirit of the classical Chinese classical dance in the aesthetic ideals is also one after another to pursue “a combination of form and spirit, and even more supernatural” aesthetic concept. Since the founding of the Chinese classical dance, the evolution of the process from “body and spirit ” to “body ” to “body ” has been the continuous improvement of this aesthetic ideal by the founders and successors of Chinese classical dance The pursuit of the testimony. By analyzing the problem of “meaning and form” in the current classical Chinese rhythmic dance course, this paper proposes the idea of “taking the form of Italian flag” as the teaching material to realize the aesthetic truth of Chinese classical dance And guiding significance.