这次在上海国际艺术节上,再看《西厢记》,又见茅威涛。 茅威涛演出的戏,应该说我看过不少。从她初出茅庐的《五女拜寿》,首挑大梁的《汉宫怨》到《唐伯虎落第》,《陆游和唐婉》,再从《茅威涛个人专场》到《西厢记》到《孔乙己》。大概除了《寒情》(荆轲刺秦王)以外,我都看过。 几年前,初看茅威涛演《西厢记》,就感到有新意,有特色,有创造,自然也有不足。这出《西厢记》,还曾引起争论。北京中国戏曲学会给它发了大奖,这是继京 This time at the Shanghai International Arts Festival, look at the Western Chamber, see also Maowen Tao. Ma Weitao performance of the show, it should be said that I have seen a lot. From her fledgling “Five Womens Birthday”, the first major “Han Gong Grudge” to “Flirting”, “Lu You and Tang Wan”, and then from “Ma Wentao personal special” to “The West Chamber” to “Kong Yi.” Probably except for “chill” (Jing Ke thorn Qin Wang), I have seen. A few years ago, at first glance, Mao Weitao played “The Romance of the West Chamber,” I felt new, distinctive, creative, there are naturally inadequate. This “The West Chamber” has also caused controversy. Beijing Chinese Opera Society gave it a big prize, which is following Beijing