论文部分内容阅读
2004年的电视剧创作,在整体思路、故事风格和类型提炼等各方面依旧基本沿袭着几年来电视剧创作的固有模式,从内容到形式,从题材到主题都少有惊世之作。不容否认,无论从数量上还是从质量上,整体说来还算差强人意,其中也不乏灵光进现。但相对于前几年荧屏的繁盛,这一年的创作和收视似乎都显露出了疲态。2004年大概只能算是微风荡漾,其成绩只能算个平年。这既反映在其引起社会反响的轰动效应程度上,也鲜明地反映在收视率统计数字上。
In 2004, the creation of TV dramas basically followed the inherent mode of television dramas over the past few years in terms of overall thinking, story style and genre refinement. From the content to the form, from the theme to the theme, there are few stunning stories. Can not be denied, both in terms of quantity and quality, the overall is still unsatisfactory, of which there is no lack of progress. However, relative to the previous years, the prosperous screen, this year’s creation and ratings seem to have shown a weakness. 2004 can only be regarded as breeze rippling, its performance can only be considered a flat year. This is reflected both in the degree of sensationalism that has caused its social repercussions and also in the clear statistics of ratings.