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中国古典园林可以说是与山水画和山水诗相生相长,并同步发展的。也可以说,从一开始中国古典园林就是按照中国诗画的创作原则,追求诗情画意般的艺术境界。中国古典园林和中国山水画的创作对象都是自然山水,并通过不同形式的艺术创造和加工提炼,达到虽校仿自然,崇尚自然,而却高于自然。山水画之《画论》为造园提供了大量的理论依据,而园林之景又为山水画的创作提供了极好的素材。《画论》与《园冶》的理论精髓貌似神合。
Chinese classical gardens can be said to be compatible with landscape paintings and landscape poems, and develop simultaneously. It can also be said that from the very beginning Chinese classical gardens were pursuing the poetic artistic realm in accordance with the creative principle of Chinese poetry and painting. The objects of creation of Chinese classical gardens and Chinese landscape paintings are both natural landscapes and refined through different forms of artistic creation and processing, which are higher than nature though they imitate nature, advocate nature. The theory of painting in landscape painting provided a great deal of theoretical foundation for garden building, and the landscape of landscape provided excellent material for the creation of landscape painting. The theoretical essence of “Painting Theory” and “Yuan Ye” looks like a perfect match.