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西方现代美学和批评的一个主题,便是对作品风格——根据夏皮罗的定义,亦即形式要素、形式关系及形式品质——的知觉和鉴赏。正如我们在他处引用过的夏皮罗的名言所说,在推翻了题材和主题的等级制,并将艺术价值从题材和主题本身当中剥离以后,艺术的剩余价值基本上落实到风格之中,也就是艺术家所调用的形式要素、关系及其品质之中。而在诸多要素、关系与品质中,对作品笔触和线条风格的认知和辨析,成了艺术史家最基本的职责之一。
One of the themes of Western modern aesthetics and criticism is the perception and appreciation of the genre of work - based on Shapiro’s definition of formal elements, formal relations, and formal qualities. As we have quoted in Shapiro’s famous quote elsewhere, after the overthrow of the hierarchy of thematic and thematic, and the dismantling of the artistic value from the subject matter and the subject itself, the residual value of art is essentially embodied in the style , That is, the formal elements, relationships, and qualities that the artist calls. Among the many elements, relations and qualities, the recognition and discrimination of brushwork and line style of works have become one of the most basic responsibilities of art historians.