论文部分内容阅读
青岛实验话剧一岁了。提起话剧,你会想起什么?是老舍《茶馆》般的“小茶馆大世界”?还是曹禺《雷雨》、《日出》般的壮烈、悲情?如果仅限于这些,那么你就OUT了。如今,“小剧场”话剧风起云涌,在北京、上海早已一票难求。青岛,一年前也迈出了开创性的一步。成立了第一个实验剧场,一年,七部剧,开始了一段艰辛而充实的征程。同时,青岛话剧院,在推行“制作人”制度后,重新复兴“成人话剧”。这片话剧的“试验田”里“长势”
Qingdao experimental drama one year old. Lao She’s “Teahouse” like “Little Teahouse Great World”? Or Cao Yu “Thunderstorm”, “sunrise” like a heroic, sad? If you are limited to these, then you OUT . Today, “Little Theater” drama surging in Beijing, Shanghai has long been hard to find a vote. Qingdao, a year ago also took a pioneering step. Set up the first experimental theater, a year, seven plays, began a difficult and fulfilling journey. At the same time, Qingdao Theater, in the implementation of “producer ” system, re-revival “adult drama ”. This drama’s “experimental field ” “growth ”