《外国戏剧》1988年三期发表《理想的演员》([日]木村隆整理,李华艺摘译)。文中,浅利庆太认为理想的演员就是与角色融为一体的演员,就是百分之百地,活生生地扮演了角色的演员。市川猿之助认为理想的演员,只要掌握了动作,只要掌握了先后顺序,即便不对他提出任何要求,也完全可以靠自己创造角色。太田省吾说,他比较喜欢在演出中一以贯之,在现实生活里也以身作则的演员。木村光一认为理想的演员就是那些对人生怀有强烈的好奇心而不太 “Foreign Drama” released in 1988 three “ideal actor” ([Japan] Haruki Kimura finishing, Li Hua Yi translation). In the text, Shallowing too think that the ideal actor is the role of integration with the actors, is one hundred percent, living actors play a role. Ichiro Ape aids that the ideal actor, as long as the mastery of the action, as long as the sequence was mastered, even if he did not make any request, but also can create their own role. Ota Ota said he prefers to act consistently throughout the show and act as an example in real life. Kimura one thinks the ideal actor is those who have a strong sense of curiosity on life and not too