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60年代美国的青年文化,从大的方面来说是两场有所重叠但完全不同的运动:其一是被称为“新左派”的民权运动和言论自由运动,以及持续多年的反越战抗议运动;其二则是从冷战时期技术官僚统治的压抑中努力突围的“垮掉派”文学、禅宗佛教、行为绘画、大麻和LSD迷幻剂、公社主义、直至演变成一股计算机革命的潮流。前者可以说走的是政治行动的外向路线,后者走的则是寻求个性自由和解放的内向路线。鲍勃·迪伦60年代早期的民谣歌曲,成为了外向的青年抵抗运动的象征;而60年代中期向摇滚乐的转变,充分体现了当时美国青年文化追求个性自由和解放的本质。迪伦的歌曲创作,不仅影响了青年反文化运动,也深刻影响了另一条路径的计算机革命和互联网浪潮。
The youth culture in the United States in the 1960s is, in a large sense, two overlapping but totally different movements: one is the civil rights movement and freedom of speech known as the “new left” and the one that has been going on for many years The Vietnam War protest movement and the other from Beat Literature, Zen Buddhism, Performance Painting, Marijuana and LSD hallucination, and communism from the suppression of the technocratic bureaucracy in the Cold War era until it was transformed into a computer Revolutionary trend. The former can be said to follow the outward course of political action while the latter follow the inward course of seeking individual freedom and liberation. Bob Dylan’s folk songs in the early 1960s became the symbol of the outward-looking youth resistance movement. The shift to rock music in the mid-1960s fully demonstrated the nature of the pursuit of individual freedom and liberation of American youth culture. Dylan’s songwriting not only affected the youth anti-cultural movement, but also profoundly affected the computer revolution and the Internet wave in another path.