百年电影艺术发展到今天,我们看到的更多是娱乐大众的商业片,其中的繁缛遮盖了电影艺术的根基,拔乱了人们对最基本的电影表现手法的认识。本文通过阅读《喜玛拉雅》的现实主义风格,揭示了想象的现实主义和现实的纪录主义的关系,并拟在戴尔的“经验之塔”理论中找出这种关系的必然。 The development of the century-old film art Today, what we see is more of a commercial film for the entertainment masses, in which the complexity covers the foundation of cinema art and disrupts people’s understanding of the most basic cinema expression techniques. By reading the realism style of “Himalayas”, this article reveals the relationship between imaginary realism and realistic recordism, and tries to find out the inevitability of this relationship in the “tower of experience” theory of Dell.