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我是比较不太敢给水墨大写意花鸟画家作画评的。相当比例的水墨大写意花鸟画,都有着大致相似的套路,而且大多在龙飞凤舞的笔墨中,以简练的笔墨和单纯的造型作小品式创作。即使画幅大一些,小品式的笔墨、造型及结构的格局仍然未变。正因为整个水墨大写意花鸟画坛此种大同小异的基本格局,断送了中国画在此领域中的发展。好几届全国美展,此种水墨大写意花鸟画都缺位。今天的呼唤写意精神的时代风潮,相当比例上也有冲着失落的大写意花鸟画去的成份。记得有
I am not too dare to give ink-and-wash flowers and birds painter painting comment. A considerable proportion of ink-and-wash flowers and birds, all have a similar set of routines, and most of the pen and ink in the pen and ink, with simple ink and simple style as a piece creation. Even if the frame is larger, sketch style, shape and structure of the pattern remains the same. It is precisely because the entire ink and wash flowers and birds painting altar this kind of basic pattern of the same, ruined the development of Chinese painting in this area. Several sessions of the National Art Exhibition, such ink-wash flowers and birds are absent. Today’s call for free spirit of the wave of the times, a considerable proportion also directed at the loss of the freehand brushwork to the composition. Remember