韩愈的咏花诗体现了鲜明的主观化特征。通过花的精神与人的思想的共通契合，建立了花与人间的同构关系。咏花诗从一个侧面反映了韩愈青年、中年、老年三个不同人生阶段中性情的发展变化。从中我们可以略窥一代大儒严正刚毅的面孔背后，多情善感的内心世界。 Han Yu’s poem of aesthetics reflects the distinct subjectivity. Through the common understanding of flower spirit and human thought, the isomorphism relationship between flowers and human beings has been established. From a side, the aesthetics of aesthetics poems reflects the development and change of the temperament of Han Yu’s middle age and middle age at different stages of life. From there, we can glimpse the inner world of sentimentality and sentiment behind the generation of dignified and solemn faces.