哈罗德·品特的作品一直围绕着孤独、困惑、分离和失去这些主题,而这些主题都呈现出某种异化现象。这篇文章将从《看房人》中的“桶”“佛像”和“插头”这三个意象分析沟通异化、信仰异化和人际关系异化这三种异化现象在该剧中的体现以及阿斯顿为缓解这些异化所做的努力和最终的失败,并探讨这些异化的原因。 Harold Pinter’s work revolves around loneliness, perplexity, separation and loss of these themes, all of which present some alienation. This article will analyze the three alienation phenomena of communication alienation, belief alienation and interpersonal alienation from the three images “Bucket”, “Buddha Image” and “Plug” And Aston’s efforts to ease these alienations and the ultimate failure, and to explore the causes of these alienations.