本文通过分析徐州现代建筑壁画文化形态构建中非存在与存在的外形内视,阐述徐州现代建筑壁画文化形态构建其应立足于城市建筑原有的历史文脉与底蕴,具有时代的人文审美理念,追求非存在与存在的完美和谐统一,表达出一种深厚的文化底蕴。 This article analyzes the appearance and appearance of the non-existence and existence of the non-existent and existing in Inner Mongolia through the analysis of the cultural morphology of the modern architectural frescoes in Xuzhou, and elaborates the cultural patterns of the modern architectural murals in Xuzhou based on the original historical context and connotation of the urban architecture, The pursuit of the perfect harmony and unity of existence and existence, express a profound cultural heritage.