无论是看到的真实还是看不到的真实,最重要的是要在作品里面有精神点,因为精神是可以审美的,通过审美我们是可以交流的,唯有精神可以交流,没有精神的话,单纯一个技术,人们永远无动于衷。我们有时候把自己置身于一个古代的环境中,跟古人对话,或者置身于一个空间中,跟未来对话,之所以这样使自己更多的制造一种可能性,就来自于这种精神,来自于精神不断碰撞中的一种和谐。 Whether it is to see the real or not see the truth, the most important thing is to have a spiritual point in the work, because the spirit can be aesthetic, we can communicate through the aesthetic, and only the spirit can communicate, without the spirit of words, Simply a technology, people will never be indifferent. Sometimes we place ourselves in an ancient setting, in dialogue with the ancients, in a space, in dialogue with the future, so that one more possibility of making oneself comes from that spirit, coming from A constant harmony in the spirit of the collision.