当一些评论认为中国具有“前卫”性的油画作品已经在与西方“后现代”的“接轨”中走向了世界 ,并获得了“地球村”一员的“身份”时 ,另一些观点却对时下轰轰烈烈的“新表现主义”潮流抱着冷静的反思态度 ,认为中国油画热闹的表面下隐藏着危机 ,预见在西方文化的巨大冲击下 , While some commentators think that China’s “avant-garde” oil paintings have come to the world in the “convergence” of the West’s “postmodern” and gained the “status” of a member of the “global village” The vigorous “neo-expressionism” trend holds a calm and reflective attitude and holds the view that there is a crisis under the surface of the lively Chinese oil painting. It is foreseen that under the tremendous impact of Western culture,