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对中国山水自然中的自然景物三种的表现和功能形态进行了分疏，又主要探讨了其中写自然“真意”及诗人幽深心灵境界的自然山水诗，对其发展脉络进行了梳理，阐述了其从《诗经》时代至盛唐的走向成熟的发展历程，从而在一定程度上揭示了这类诗之所以能自素朴到色相丰满到渊然层深的主观原因
This thesis mainly analyzes the natural landscape poems in which the natural “true meaning” and the poet’s deep spiritual realm are divided, and its development context is reviewed and elaborated. From the “Book of Songs” era to the prosperous Tang Dynasty maturity of the development process, which to some extent reveals the reason why such poems can be plain from the hue to fullness to the subtle reason