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华兹华斯认为,儿童代表了人类原初状态的人性的完满,正是从这个意义上,他作出了“儿童是成人的父亲”的独特的哲学判断。在《我们是七个》中,亲情已经战胜了一般意义上的生与死,作品所体现出来的思想美和形象美业已升华为超越死亡,对工业时代人性如何返璞归真的真情企盼,由此小女孩身上体现出来的孤寂、冷峻的美使得华兹华斯童心美的美学理论有了具体的形象支撑,才使其作品不仅达到了很高的美学高度,也达到了很高的哲学高度。
Wordsworth thinks that children represent the complete human nature of the original human condition. It is in this sense that he made a unique philosophical judgment that “children are adult fathers.” In “We Are Seven”, affection has been overcome in the general sense of life and death. The beauty of the beauty of thought and image embodied in the works has been sublimated beyond the death and aroused the hope that the human nature in the industrial age will be returned to its roots. The little girl The lonely and somber beauty reflected in the body gives Wordsworths innocence and aesthetics aesthetic theory a concrete image to support his works not only reaching a high aesthetic level but also reaching a very high philosophical height.