文章以音乐历史发展为线,以名家的具体作品为点,以歌剧、康塔塔、弥撒曲与清唱剧等声乐体裁为面,对巴罗克与古典声乐艺术的发展轨迹做一立体性的扫描,其间穿插作者评析以及两个时期声乐艺术风格的比较,力图在宏观描述的基础上,进一步勾勒出这两个时期声乐艺术“进化”的细微“痕迹”。 Taking the development of music history as the line and the famous works as the point, the article takes the vocal genres such as opera, Cantata, massacre and oratorio as examples to make a three-dimensional Scanning, interspersed author’s comment and comparisons of vocal art styles in the two periods, trying to further outline the “traces” of vocal art “evolution ” based on the macro description.