阿迪契是尼日利亚备受瞩目的新生代女性作家。其长篇小说《紫木槿》以女性作家特有的敏锐视角和纤细笔调,通过家庭叙事,以微观视野呈现宏大主题,呈现出后殖民时代尼日利亚所面临的政治和文化困境。作品通过尤金这一分裂性的悲剧形象,折射出非洲在现代化进程中,西方价值入侵与传统文化价值割裂的畸形文化状态,表现出作家对非洲传统文化的认同与肯定;同时,作品以隐喻的形式,通过几位女性的不同境遇,探讨了民族文化的重构问题。 Adic is Nigeria’s highly anticipated new generation of female writers. His novel “Purple Hibiscus” presents a grand theme from a micro perspective through family narration, with a keen perspective and slender style unique to female writers, showing the political and cultural predicament Niger faces in the post-colonial era. Through Eugene’s splittist tragedy, his works reflect the abnormal cultural status of Africa in the process of modernization, the imbalance of Western value invasion and traditional cultural values, and demonstrate the writer’s recognition and affirmation of African traditional culture. At the same time, Through the different situations of several women, this paper discusses the reconstruction of national culture.