前不久举行的上海昆剧精英展览演出中,上海市戏曲学校中年教师张洵澎主演的《寻梦》受到了观众赞赏。那天,幻灯出了意外,演《寻梦》没字幕,真使我为张洵澎捏了一把冷汗。不料观众依然看得十分有味,还不时为她优美的身段动作鼓掌。我邻座的童芷苓频频跟着台上轻声吟唱,兴致勃勃地告诉我:“阿澎的身段特好,所以,去年我把她这戏拍成录像,带到美国去讲学示范。”这原是个将被人们遗忘的昆剧剧目,在舞台上绝迹近四十年。一九八二年,经张洵澎重新整理加工推上舞台后,很快赢得了文艺界有识之士的高度重视,有的撰文推荐,有的拜师求学。一折小戏的上演,竟能引起如此强烈的反响,绝非偶然。我认为,沿着这条成功的轨迹, Not long ago held in Shanghai Kun Opera elite show performances, Shanghai Opera School middle-aged teacher Zhang Ying Peng starring “dream” was appreciated by the audience. That day, the slide out of an accident, acting “dreaming” no subtitles, I really pinch a cold sweat Zhang Penang. Unexpectedly, the audience still see very tasty, but from time to time for her graceful figure applause. Tongzhi Ling, my neighbor, frequently whispered softly on the stage and told me in great spirits: “Ah Peng’s figure is particularly good, so last year I took her filming as a video and took it to the United States to give lectures and demonstrations.” Originally a Quite forgotten by the Kunqu Opera repertoire, extinct on the stage for nearly four decades. In 1982, after Zhang Peng-peng was reorganized and put on the stage, it quickly won the attention of literary and art circles of insight. Some of the articles were recommended by the author, while others learned from teachers. It is by no means accidental that a staged play should arouse such a strong response. I think, along this successful track,