一、新导演与转型导演现象陈鹏(以下简称陈):近年来,一些新导演以及转型导演在作品上崭露头角,《人再囧途之泰囧》(以下简称《泰囧》)、《北京遇上西雅图》、《致我们终将逝去的青春》(以下简称《致青春》)等作品获得了市场上的巨大反响,您认为这些作品能够获得市场认可背后的原因是什么?赵海城(以下简称赵):中国电影新力量其实一直在通过各种途径注入到电影行业中来,这也成为了支撑电影业长期发展、常变常新的重要因素。实际上在 First, the phenomenon of director and transition director Chen Peng (hereinafter referred to as Chen): In recent years, a number of new directors and director of transition emerge in the works, “people embarrassed Thai embarrassing way” (hereinafter referred to as “Thai embarrassment”), “Beijing Have you got the great repercussions on the market such as the encounter with Seattle and the youth that will eventually pass away (hereinafter referred to as ”youth“)? What are the reasons behind these market recognition for these works? Zhao Haicheng (hereinafter referred to as ” Zhao): In fact, the new force of Chinese film has been injected into the film industry through various channels. This has also become an important factor that supports the long-term development of the film industry and is constantly changing. In fact