关于如何在动画中很好诠释中国传统绘画这个命题,已经由来以久。从上世纪60年代中国最早的水墨动画《小蝌蚪找妈妈》开始,国人就在不懈地努力让国画这一国粹在影像媒体中延续新的艺术生命。但是由于过去各方面技术发展得还不够成熟,水墨动画的推广一直有很大的难度。转眼间进入了21世纪,数字多媒体技术飞速发展,水墨动画复苏时机也随之来临。本文旨在阐述只有在坚持民族特色的基础上不断融入新的技术及思想,才能带来中国动画真正意义上的繁荣。 It has been a long time since the proposition of how to interpret Chinese traditional painting well in animation. Starting from the earliest Chinese ink-and-wash animation “Little Tadpoles Looking for Mom” ​​in the 1960s, people are making unrelenting efforts to extend the quintessence of traditional Chinese painting in the image media. However, due to the past technology development in all areas is not yet mature enough, the promotion of ink animation has been very difficult. Blink of an eye into the 21st century, the rapid development of digital multimedia technology, ink animation recovery opportunity also will come. The purpose of this article is to show that only by continuing to integrate new technologies and ideas based on national characteristics can the real prosperity of Chinese animation be brought.