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毋庸置疑,敦煌壁画是本民族艺术价值的最高体现,不管是时间上、空间上,还是它的内容题材、造型艺术、斑斓的色彩等,其颇具深度、厚度的学术内涵与它本身艺术的宽度和广度,足以令世人“取之不尽,用之不竭”。笔者从人物造型与当代油画创作相结合这一视点出发进行研究,深入剖析敦煌壁画人物造型特点,结合涂志伟、钱流两位画家谈他们油画创作的风格,揭示敦煌壁画人物造型的艺术价值和历史地位。
Undoubtedly, Dunhuang murals are the highest expression of the artistic value of this nation, whether in time or in space, or in terms of content, plastic arts, gorgeous colors, and so on. The academic content of its depth and thickness is the same as the width of its own art And breadth, enough to make the world “inexhaustible ”. From the perspective of the combination of figure modeling and contemporary oil painting creation, the author deeply analyzes the modeling features of Dunhuang murals figures, combining the two painters Tu Zhiwei and Qian Liu to discuss the style of their oil painting creation and reveal the artistic value and history of Dunhuang murals figure modeling status.