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曾念平: 先简单地谈谈写这篇论文的过程。萌发写这篇论文的想法来自我这几年的拍片实践。在读研究生之前,我参加了一些影片的拍摄。创作中遇到的问题触动了我。比如说拍《樱》的时候,我们所用的5247胶片,当时国内刚刚开始使用,以前使用的都是国产“代代红”,或是比利时的、美国的5254胶片,所以对胶片使用的概念还比较陈旧。曹作宾老师是这部影片的摄影师,拍摄过程中,我们遇到了许多预想不到的情况。我记得很清楚在房山拍外景时,一棵树下面有一片阴影,如果按原有的概念,按5254
Zeng Nianping: First, simply talk about the process of writing this essay. The idea of writing this essay comes from my filmmaking practice in recent years. Before attending graduate school, I participated in the filming of some films. The problems encountered in the creation touched me. For example, when filming “Sakura”, we used 5247 film, which was just started to be used domestically. All the previous uses were domestically produced “Daiichi Red” or Belgium, the United States 5254 film, so the concept of film use Older. Cao Zubin teacher is the film’s photographer, shooting process, we encountered many unexpected situations. I remember very clearly in the Fangshan filming scene, a tree below the shadow, according to the original concept, according to 5254