书法与狂,似乎有着不可割舍的关系。书法狂人比比皆是,我们可以随意列举出一些不同时代的书法人关于狂的事例。之一,虞和《论书表》记载有王献之不服其父王羲之的言论:谢安问王献之,你的字同你父亲的比较,谁个更好?王献之说,当然是我的更好。谢安又说,世人并不这样认为。王献之回答,世人哪里知道?魏晋人天真坦率,狂性自然寓于其中。之二,我们看看唐代书家“颠张醉素”。张旭“嗜酒,每大醉,呼叫狂走,乃下笔,或以头濡墨而书,既醒自视,以为神,不可复得也”。怀素本是出家之 Calligraphy and mad, there seems to be an indispensable relationship. Calligraphers abound, we can casually enumerate some of the calligraphers in different ages on the mad examples. One, Yu and “Book of Records” contains Wang Xianzhi’s remarks against his father Wang Xizhi: Xie asked Wang Xianzhi, your character with your father, who is better? Wang Xianzhi said, of course, is my better. She added: “The world does not think so. Wang Xianzhi answer, where do people know? Wei Jin innocent and frankly, flirtatious nature in which one. Second, we look at the Tang Dynasty calligraphers ”Britain Zhang Su element.“ Zhang Xu ”alcohol, every drunk, call go mad, but under the pen, or the first Mo ink and book, both waking himself, thinking God, can not be recovered too." Susu this is a monk