戏曲衰落,有目共睹,已经到了非改不可的地步——小修小改不行,大力改革才是出路。四川“振兴川剧”,制定了“抢救、继承、改革、发展”八字方针。对于一个剧种而言,此方针行之有效。因为川剧的遗产异常丰富,“库存”特别雄厚,素有“资料剧种”之称。所以,这个剧种把“抢救、继承”摆在重要位置上比较适当,并已获得成果,初见振兴。然而,各地剧种有大有小,家底有厚有薄,诸如沪剧、越剧、吕剧、评剧、黄梅戏、花鼓戏、 Drama decline, for all to see, has reached the point where it can not be changed - a small reform can not be a small change, vigorously reform is the way out. Sichuan “revitalization of Sichuan Opera”, formulated the “rescue, inheritance, reform and development” eight-character approach. For a drama, this approach works. Because of the extraordinary rich heritage of Sichuan Opera, “stock” is particularly strong, known as “data drama” said. Therefore, this drama put “rescue and inheritance” in an important position, which is more appropriate, and has achieved results, initially rejuvenated. However, the local operas are large and small, with thick and thin backgrounds, such as Shanghai Opera, Yue Opera, Lu Opera, Pingju Opera, Huangmei Opera, Huagu Opera,