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众所周知,斯坦尼斯拉夫斯基体系被称为“体验派”,与布莱希特体系的“理性戏剧”相对应。而“体验派”的核心,便是“情感体验”。斯坦尼斯拉夫斯基生前完成的斯氏体系的理论阐述的第一部分《演员自我修养》(第一部)中,就重点论述了“体验创作过程中的自我修养”。后来的苏联戏剧家阿·波波夫也在其著作《演出的艺术完整性》中指出,斯氏体系的重点是“在体验基础上演员对形象的再体现”。我国著名戏剧理论家余秋雨在其所著的《戏剧理论史稿》一书中也认为,斯氏体系
As we all know, the Stanislavsky system is called the “experiential school” and corresponds to the “rational drama” of Brecht’s system. The “experiential school” is the core of “emotional experience.” In the first part of Stanislavski’s theoretical explanation of the Smithian system, “Self-cultivation by Actors” (Part 1), it focuses on “self-cultivation during experience creation”. Later, the Soviet dramatist 阿波波夫夫 also in his book “The Art of Performing Integrity,” pointed out that the focus of the Smith’s system is “on the basis of experience, the actor on the image of the re-expression.” Yu Qiuyu, a famous theatrical theorist in our country, also holds in his book entitled “The History of Drama Theory” that the Smithian system