近年来,诗歌批评在现实意识上,在历史和审美视野、抱负上,呈现不断错位乃至萎缩的状况。本文集中讨论诗歌批评人为地将现代诗的意义阐释和形式研究硬性割裂,使之“各自为阵”带来的缺失;提出一种姑且称之为“历史—修辞学的综合批评”的方式,以求将诗歌的外部研究和内部研究有效打通; In recent years, the criticism of poetry has been in the realm of consciousness, in the historical and aesthetic horizon and aspirations, showing the situation of continuous dislocation and even shrinking. This article focuses on the poetic criticism artificially to the meaning of modern poetry interpretation and formal study of the rigid fragmentation, so that the “each array” brings the lack of a tentative call “history - rhetoric comprehensive criticism ”Approach, in order to effectively externalize the poetry and internal research;