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本文通過剖析吴熙載、趙之謙書法篆刻創作及其理論思考的異同,釐清兩家在藝術創作中的共同點及差異。儘管二人都從鄧石如一脈而來,但因他們後期取法方式與藝術創作走向不同,導致两人在書法、篆刻創作中形成不同的風格面貌。特別是鄧石如“印從書出”“印外求印”的創作觀念在吴、趙的篆刻中得到異曲同工的繼承和發揚。“印從書出”“印外求印”的篆刻創作方式,拓寬了當時人們對印章的審美局限,爲創作帶來了全新境界。
This paper analyzes the similarities and differences between Wu Xizai, Zhao Zhiqian calligraphy and his theoretical thinking, clarifies the commonalities and differences between the two in artistic creation. Although both of them came from Deng Shiru, both of them took different approaches to calligraphy and seal cutting due to their different ways of taking legal works and artistic creation in the later period. In particular, Deng Shiru “printed from the book ” “printing for India ” creative concept in Wu, Zhao’s carving were similarities and differences in the inheritance and development. “Seal from the book ” “seal printing” "seal cutting way of creation, broaden the people at the time of the aesthetic limitations of the seal, for the creation has brought a new realm.