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夏衍在电影叙事策略方面有很多卓有成效的探索。本文主要从三个方面探讨了夏衍的剧作叙事特点。首先,夏衍的电影剧作展现了社会主义现实主义叙事手法,体现出强烈的现实主义精神;其次,注重剧中人主观视角叙事风格,重视人物形象塑造的真实性和人物性格描绘的生动性,塑造了个性鲜明的人物形象,一切的情节发展都是以剧中人为主线来进行叙事;探索发展了以独特的民族电影叙事风格为特点的叙事策略。
Xia Yan has many fruitful explorations in the film narrative strategy. This article mainly discusses Xia Yan’s play narrative features from three aspects. First of all, Xia Yan’s film plays show the socialist realist narrative techniques and embody a strong realistic spirit. Secondly, pay attention to the narrative style of the subjective view of the dramatis personae, pay attention to the authenticity of the characters’ image creation and the vividness of character portrayal, Shaped character image, all plot development is based on the drama of the main line to carry on the narrative; exploration and development of a unique narrative style of the narrative of the national narrative strategy.