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任何艺术创新都离不开对艺术自身的超越,对于民族舞蹈发展和舞蹈艺术创新来说,我们应警惕“画地为牢”对创作的创伤。“狼魇”这部舞台实验剧,作为青年民族艺术家万玛尖措及相关人员的集体创作,无疑给我们带来了基于艺术创新并超越艺术自身的思考,它以一种别样的方式将我们拉进当下的现实,让我们在惯常的冷漠中多了一份关怀。本文主要通过对“狼魇”总编导新一代藏族青年舞蹈艺术家万玛尖措的访谈,来呈现这位民族编导的艺术观念和社会关怀,并针对当下的艺术问题提出一些初步思考。
Any artistic innovation can not be separated from the art itself. For the development of national dance and the innovation of dance art, we should be wary of the trauma of creation. “Nightmare ” This is a stage experiment drama, as a young national artist Wan Ma measures and related personnel collective creation, undoubtedly brought us based on artistic innovation and beyond the art of thinking, with a different kind of Way to pull us into the reality of the moment, let us in customary indifference more than a care. This paper mainly presents the artistic concept and social concern of the national director through some interviews with the chief editor of “Wandering Nightmare”, a new generation of Tibetan young dance artists, and puts forward some preliminary thoughts on the contemporary art issues.