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一高岑与“金陵八家”明末清初的金陵,因其特殊的政治、经济地位,成为多重文化的交汇点。画家云集,一时间,各家思想风起云涌,艺术创作流派纷繁。清龚贤在《题程正揆山水画册》中云:“今日画家以江南最盛,江南十四郡以首郡(南京)为盛,郡中著名者且数十辈,但能吮笔者奚啻千人……”①这正是描绘的当时金陵画坛盛况的实录。
A high Cen and “Jinling eight ” Jinling late Ming and early Qing dynasties, because of its special political and economic status, become the intersection of multiple cultures. Painters gathered for a time, various ideas surging, numerous artistic creation schools. Qing Gong Xian in the “title Chengzheng landscape album” in the cloud: “Today, the painter to the southernmost province, southern counties to counties (Nanjing) Sheng, the county famous and dozens of generations, but can suck the author Xi Xi thousands ... ... ”① This is exactly a portrayal of the grand occasion of the Jinling Paintings at the time.