对于古琴美学研究而言,明末清初的著名琴家徐上瀛所著的《溪山琴况》一书历来备受推崇。而出于“知人论世”的习惯性思维,研究者往往会因为《溪山琴况》的价值进而反推其作者的人品和学养,将徐上瀛描述成一位抗清志士、一位不愿接受清朝统治者的遗民。然而仔细推敲现存的史料,这样的形象恐怕是未必能够成立的。作为一介民间琴人,徐上瀛的详细生平已无法清晰还原,关于其生平的所有资料几乎都汇集于钱棻、陆符、 For the study of Guqin aesthetics, the book of “Xishan Qinqin” written by Xu Shangying, a famous pianist in the late Ming and early Qing dynasties, has always been highly praised. However, out of the habitual thinking of “knowing the world,” researchers tend to describe Xu Shangying as an anti-Civic and a Unwilling to accept the dynasty rulers of the descendants. However, careful scrutiny of existing historical data may not be possible for such a picture. As an intermediary folk artist, Xu Shangyin's detailed life has been unable to restore clearly, almost all the information about his life brought together in Qian Zhi, Lu Fu,