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小说《一天》以“繁复冗长”的话语讲述了冲床工张三自清晨至傍晚这一天的工作与生活流程。作者陈村巧妙地运用了画面移接的手法,将一天中清晨、上午、中午及下午四个时段分别对应张三人生少年、青年、中年和老年四个时期,在这荒诞的景象拼贴中展示出作为万千大众代表的张三一生的生命流程。“匡汤匡汤”的冲床,单调而烦闷,不仅销蚀了父辈的生命,磨尽了张三的年华,又将打磨尽下一代人的青春活力。然而,心怀恐惧的现代西西弗张三却以“被迫式自我陶醉”沉浸于“做工——吃饭——做工”的无尽循环中,以黑色的快乐把折磨当享受,勇敢地面对机器、经济权力和吃饭本身对人的奴役与异化。向死而生,以乐观的选择向着荒诞的人生微笑,显现出人的智慧与伟大,然而人生的末了来临时,张三留给我们的却只是惨然的笑。
The novel “One Day” tells the story of Zhang San’s working and living process from morning till evening in the words of “complexity and lengthyness.” Chen Cun clever use of the screen move the way, the day in the morning, morning, noon and afternoon of the four periods correspond to Zhang San people youth, youth, middle age and old four periods, in this fantastic landscape collage Which shows the life process of Zhang San’s life as a representative of thousands of people. “Kuang Tang Kuang Tang ” punch, monotonous and boring, not only eroded the lives of fathers, worn out the beauty of Zhang San, and will polish the next generation of youthful vitality. However, the modern fear of the modern Sisefu Zhang Sa but with “forced self intoxicated ” immersed in “work - eat - work ” endless loop, with black pleasure to torture when enjoying, courageously Face the slavery and alienation of people in the machinery, economic power and eating itself. Zhang died, optimistic choice to the absurd smile, showing human wisdom and greatness, but the end of life, Zhang San left us with only a tragic laugh.