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20世纪80年代以来,马华文学明显形成了一种多元融合姿态,新生代作家群即是在此景之下应运而生。作为一支长期以来不能得到足够重视的海外华文文学,马华文学开始在文学史上做起了时代的“弄潮儿”。这其中,十分重要的一位作家、评论家就是以狂放不羁、怪异多端著称的黄锦树,在他尖锐的笔锋下,不仅以咄咄逼人、狂放不羁的创作姿态严格地审视了马华文学的发展情况,并且亲身参与创作的实践。本文从他的短篇小说创作出发,着重研讨其小说叙事的“真与幻”的艺术策略与风格特征。
Since the 1980s, the MCA literature has evidently formed a multi-fusion attitude. The new generation of writers group came into being under this scene. As an overseas Chinese literature that can not be given sufficient attention for a long period of time, MCA has started to make “Beach Goers” in the history of literature. Among them, one of the most important writers and critics is Huang Jinshu, known for his uninhibited and weird exuberance. Under his sharp writing, he not only scrutinized the development of MCA literature in an aggressive and wild uninhibited writing manner, Personally involved in the practice of creation. Based on his short story creation, this article focuses on the artistic tactics and style features of “True and False” in his narrative.